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Ngaire:
Not having studied with Marvin, I would be presumptious trying to explain his system. That said, the pictures, above, seem pretty clear as to how he lays out his palette.
If my limited knowledge of art history counts for anything, I see his palette as one version of those early-on very simple palettes you will hear and read about as you go on studying art. Anders Zorn, for one, used a very simple palette such as this, and produced exceedingly beautiful art, as did quite a few other very well known artists from times past.
Since the basis of this palette has been used by such well known artists and has stood the test of time, I doubt that there will be many "drawbacks" to it. I find none. In fact, I would say my work has improved since I began using Indian Red, Venetian or English red, black and yellow.
Marvin, it seems to me, goes to a bit more effort by setting out his grays, reds and yellow in value steps that make value selection easier. Go up to the top of this page, find Search, and type in Marvin Mattelson. A lot of posts will come up, several of which will be copies of Marvin's work. If you look at his art, you will see the terrific results that can be obtained from this palette.
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