Apotheoun (Tom Livezey at Eleven)

[Sharon Knettell]

Garth,

Amazing,original, daring and beautiful!
I was up in Boston today arranging for a piece of my work to be exhibited in a portrait show. From what I could gather it was going to be same old, same old, figures with vase of flowers and other old chestnuts. I wish your painting was going to hang there!
It would make me work harder.

Sincerely,

[Garth Herrick]

Thanks, Denise, Elizabeth, Jean, and Sharon!

Denise: Thanks, I have benefitted also from this forum.

Beth: Thanks! What edges? (just kidding)

Jean: Your welcome! Glad to be of help.

Sharon: Thanks! Your kind words mean a lot to me. It would be a high honor indeed to show with you! Good luck with the show. I'd like to see it. Seeing everyone's great works on this forum is making me work harder too. I did most of this painting since joining. As Michele R. says, the bar is very high here, and that's been inspirational.

[Timothy C. Tyler]

Garth, this sunlight on bare skin is really extremely well painted. It is also one very tough subject. Sorolla would be proud!

PS I like the design.

[Garth Herrick]

Originally Posted by Timothy C. Tyler

Garth, this sunlight on bare skin is really extremely well painted. It is also one very tough subject. Sorolla would be proud!

PS I like the design.

Gosh Tim,

Thanks so much for your kind remarks! I would love to some day paint like Sorolla did. He is one of the virtuosos in painted sunlight I most admire. I wish he were around to give demonstations, workshops, and mentor as you do. Where's the key to that time travel machine anyway?

There is a wonderful Sorolla beach scene buried in permanent storage at the Philadelphia Museum of Art. I came upon it quite by accident while working behind the scenes in the deep sub-levels of the museum last June. I was shocked that such a wonderful painting was presently viewable only in dim fluorescent utility lighting, while hung from a metal screen. I believe one can make an appointment and arrange to study it. It may be presently in the new storage/study facility that PMA has just built within the former Philadelphia Naval Yard. I would post a picture of this except it contains some some innocent nudity. I wish the PMA would display it in their galleries.

Garth

PS: I've added image details from that PMA Sorolla (edited for nudity). Sorry about the terrible quality if the scans, they do the painting no justice. Hopefully you will get the idea though that it is a shame it is not on display.

[Garth Herrick]

Originally Posted by Timothy C. Tyler

Garth, this sunlight on bare skin is really extremely well painted. It is also one very tough subject. Sorolla would be proud!

PS I like the design.

Since youve kindly resuscitated this old thread, Tim, I thought I might as well take the time to reveal my sources. Here is the original 1981 slide photo approximately cropped to match the painting, along with the painting for comparison. The slide was not all that sharp, as photos go. I thought it might be interesting to see what I had to work with, and how the painting deviates.

Garth

[Terri Ficenec]

The painting is much better than the reference Garth. I'm still in awe of this painting! Glad to see it resurrected to marvel at all over again. . .

[Ilaria Rosselli Del Turco]

Garth, what a great lighting.

And the slight out of focus hazy atmosphere is also fascinating.
Beautiful portrait.

Ilaria

[Garth Herrick]

Originally Posted by Ilaria Rosselli Del Turco

Garth, what a great lighting.
And the slight out of focus hazy atmosphere is also fascinating.
Beautiful portrait
Ilaria

Ilaria,

Thanks so much! I really enjoy your work, and feel oddly connected because of an alledged ancestor who moved from Venice to London, circa 1560. The Merchant [from] Venice? It sounds romantic but who knows if it is true.

I contributed elsewhere, some wordy thoughts on the motivation for my painting:

"This painting represents an intimate detail out of a favorite slide I photographed exactly 23 years ago. The boy and his mother basking in the warmth of the late afternoon sun made a serene and beautifully poetic moment together; a fleeting moment in life, captured. On a personal note, these are friends of mine represented in the painting; we were out enjoying a community picnic and day of recreation. In the ensuing 23 years I have painted several versions and variations of this imagery, and this is the latest.

"The human figure in any manifestation or gesture is compelling as subject matter. Here unadulterated youth and maturity are together in quiet communion. Suggesting a dialogue, the late afternoon raking sun adds drama and grammar to their topology. Within the contours of luminence a sublime countenance is revealed. Colors turn, shift and dance within and without the changing light. Yet within the overall captured stillness, there's another level of subtle activity, both evident and implied. This is the magic of life that motivates me to paint.

"Facing in the presence of the actual painting, the viewer relates to figures painted to life in scale. This adds another level of immediacy to the experience. I have no underlying story to tell or great message to convey. This is left to the individual viewer to create, drawing from their own unique paths and experiences.

"In sum, the image moved me. I painted it as a personal meditation upon the traditions and teachings borne out of the legacy of the Pennsylvania Academy of the Fine Arts, as distilled and related by my instructor Arthur DeCosta. What I hoped to accomplish with this was to personally grow along my journey as a painter. What I hope to communicate is my mystical joy of the experience."

Garth