Portrait Artist Forum    

Go Back   Portrait Artist Forum > Lighting & Photographing for Portraiture
FAQ Community Calendar Today's Posts Search


Reply
 
Topic Tools Search this Topic Display Modes
Old 05-12-2004, 10:22 AM   #1
Garth Herrick Garth Herrick is offline
SOG Member
FT Professional
'09 Honors, Finalist, PSOA
'07 Cert of Excel PSOA
'06 Cert of Excel PSOA
'06 Semifinalist, Smithsonian OBPC
'05 Finalist, PSOA
 
Garth Herrick's Avatar
 
Joined: Mar 2004
Location: Philadelphia, PA
Posts: 1,445



Hey Holly,

Thanks for the tip! I ordered my diffusion grid sheets from EdmundOptics.com a couple of days ago and bingo, they had already arrived yesterday! A lot of packaging for a little sheet. The cost was $19.27 with shipping.

Anyway, I have had some interesting revelations as to the shortcomings of my studio lighting. I can't believe how fluorescent lights are composed of just a few simple steps on the spectrum scale. It is no wonder that so many colors can look so dead. The so-called full-spectrum incandescent bulbs seem to completely lack the production of anything in the yellow range (as do the fluorecents). My 500 watt photographic halogen lamp has a full spectrum 100 CRI, but it is 3200 K, rather than daylight. I wonder how the so-called 98 CRI full spectrum fluorescent tubes look?

Looking at a television or computer monitor, it is obvious there are only three phosphers, i.e.: RGB.

Thanks again, whenever I look at new lighting, I take one of these sheets along for a quick analysis.

Garth
__________________
www.garthherrick.com
  Reply With Quote
Old 05-12-2004, 12:53 PM   #2
Holly Snyder Holly Snyder is offline
Juried Member
 
Holly Snyder's Avatar
 
Joined: Jan 2003
Location: Safety Harbor, FL
Posts: 231
Garth,

Thanks for posting your results with the diffraction grating sheets, they're interesting. I'm hoping to purchase the Lumichrome 5000K, 96 CRI fluorescents pretty soon, I'm curious to see their spectrum too.

You can also take two pieces of cardboard, hole punch one, then tape them together (with the hole now in the center). No light should get through the tape joint (black duct tape works great), and preferably the cardboard would be black on one side. Hold this between your light source and the grating, with the black side facing you. On the grating you'll see a smaller, but easier to look at spectrum, with a nice black background to set it off. You'll probably have to move the grating up and down and front and back, until you find where the spectrum image appears.

I'm glad this was useful to you.

Cheers,

Holly
__________________
Holly Snyder-Samson
www.artsci.us
  Reply With Quote
Reply


Currently Active Users Viewing this Topic: 1 (0 members and 1 guests)
 

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is Off
HTML code is Off

Forum Jump

Similar Topics
Thread Topic Starter Forum Replies Last Post
Artificial lighting Marvin Mattelson Studio set-up for Painting from Life 48 04-14-2007 06:39 PM
Measuring Jeff Fuchs Techniques, Tips, and Tools 0 12-08-2003 09:50 PM

 

Make a Donation



Support the Forum by making a donation or ordering on Amazon through our search or book links..







All times are GMT -4. The time now is 05:04 AM.


Powered by vBulletin® Version 3.8.6
Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.