 |
10-13-2004, 06:35 PM
|
#1
|
Approved Member
Joined: Sep 2002
Posts: 1,730
|
I am glad Marvin gave you a more considered reply.
If you look at the work of Velasquez, you will see how simple he keeps his shadow areas. One of things to learn in painting form is not always to copy everything we assume is up there but to be able to simplify and design the forms as well.
|
|
|
10-13-2004, 07:14 PM
|
#2
|
SOG Member FT Professional '04 Merit Award PSA '04 Best Portfolio PSA '03 Honors Artists Magazine '01 Second Prize ASOPA Perm. Collection- Ntl. Portrait Gallery Perm. Collection- Met Leads Workshops
Joined: May 2002
Location: Great Neck, NY
Posts: 1,093
|
Sharon, you hit the nail on the head. Copying what's in front of you will get you, at best, a photographic likeness; regardless of whether you work from life or photos. Great painters, on the other hand, know how to manipulate the information before them to create the illusion of reality on a flat surface.
|
|
|
10-13-2004, 08:10 PM
|
#3
|
SOG Member Featured in Int'l Artist
Joined: Sep 2002
Location: Cincinnati, OH
Posts: 1,416
|
Jimmie it's exciting to watch these progress, it's also great to read the good input and pick up pointers for myself... or re-drill them into my head!
|
|
|
10-13-2004, 10:53 PM
|
#4
|
Juried Member
Joined: Aug 2002
Location: New Jersey
Posts: 671
|
Thanks all for the advice, I'll try my best to keep them in mind on Monday. Take care.
__________________
"Lord, grant that I may always desire more than I can accomplish"-Michelangelo
jimmie arroyo
www.jgarroyo.com
|
|
|
Currently Active Users Viewing this Topic: 1 (0 members and 1 guests)
|
|
Posting Rules
|
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts
HTML code is Off
|
|
|
|
|
|
All times are GMT -4. The time now is 03:37 PM.
|