From Maaavin's Atlanta Class-Mariah

Linda Brandon · 01-10-2005, 09:10 PM

Beautifully painted, Val! I like this very much.

Elizabeth Schott · 01-10-2005, 10:45 PM

Valerie,

I love it!

Please tell us more about your experiences!

Marvin Mattelson · 01-11-2005, 12:54 AM

Here's a picture of Val in action. Right behind Val is Patty. I've also posted her painting of Moria which might give you a better idea of it's richness.

By the way, if you ever get a chance to meet Val and you wonder why she's so shy and inhibited, it probably means that aliens are inhabiting her body. Just sayin' !

Sharon Knettell · 01-11-2005, 09:39 AM

Beautiful job Val! I love the palette as well and used it on my last painting.

i can see Marvin misses us.

Valerie Warner · 01-11-2005, 10:35 AM

Ohhh Mauvin...I'm a gemini. There are two of me. Your evil twin brought out my evil twin. (Why didn't you say to suck in my gut in that picture? dang it) Yesterday, I had Mariah's portrait hanging in my living room, a sales person came by on an appointment and ordered one of her daughter right there and then! My hubby was buying a TV entertainment center and he just started cracking up. He supports me in my cool studio now! And my class with you! Thanks Marvin!

Elizabeth, Thanks! My experience...hum... The room was spacious. Two models and not two many students. He taught like a teacher with many years of teaching. Patient, funny, thorough and well planned lessons. We packed years into that week. (I'm trying to think...and nothin's happening - could be the turps I used in the past) Anyway...tools were discussed. Slides were shown of some of Marvin's favorite masters, indepth evaluation of their approach to achieving form and illusion on 2 D surface, why painters have a tougher job than sculpters, the setting up of the model, lighting, position, composition, the value study in raw umber, the whys and wherefores of that, on to the color lay in, more study of how to turn form, it just is EVERYTHING I EVER WANTED TO KNOW ABOUT PAINTING A PORTRAIT. With what I learned at Chris Saper's class and then Marvin's I'm headed in exactly the direction I sought out for my career. Thanks to both of them!

Thanks Sharon. I'm going to use it on all my paintings. I loved the control. All I have to ask myself after the wash in is, "How does it differ?" Then look at my pre-mixed palette and choose. It's awesome.

Holly Snyder · 01-11-2005, 10:43 AM

Very nice portrait Val. Congratulations on the commission!

Patricia Joyce · 01-11-2005, 12:26 PM

It is very difficult for me to verbalize my experience of Marvin's workshop. This being my first portrait painting from life, Marvin's approach gave me clear direction, every step of the way. I had quoted David Lloyd George a week before the workshop, "Don't be afraid to take a big step if one is indicated. You can't cross a chasm in two small jumps". Well, this truly was a chasm crossing experience for me from drawing to painting. I strongly recommend Marvin's workshop for students ready to move from drawing to painting (even when you don't know you are ready

) JIMMIE, IT's YOUR TURN!

Marvin's palette is easy to understand, every step makes perfect sense. Watching Marvin paint from beginning to end had me transfixed. Truthfully, he had 100% rapt attention from every artist. I stand in awe, Maavin!!! And feel eternally grateful for your generosity.

Here is my humble approach at the first, monochromatic stage. (BTW, Val's portrait is amazing, I was fortunate to have the easel next to her, to watch her's develop - thanks for the support, Val!!)