Portrait of Sonia

[Richard Monro]

Filadi,

Just a word of caution. You have captured something magical in her expression that is even more appealing than the photos. Making minor corrections to make the painting more technically correct may ruin the magic you have created.

Sometimes the hardest thing for an artist to do is to know when to stop. STOP! Don't touch the face. Learn from the experience and move on. The only adjustment I would make is to gray the yellow in the background. This is a really interesting and appealing painting that draws the viewer into it. It really doesn't need anything else.

[Allan Rahbek]

Hi Flladi,
I like the composition very much and also the colors.

I think that you should lower the value of the eyelid to the right (her left eye), it seems to come forward in stead of , gradually, be turning into the shadow area.

[Chris Saper]

Dear Filadi,

Lovely portrait, lovely subject! I think you've received some excellent feedback, and I don't know if I can add anything at all. Other than a little fill light to lighten the shadow's value on the face on our right side, I think the painting is really terrific.

[Marcus Lim]

Originally Posted by Richard Monro

Filadi,
Just a word of caution. You have captured something magical in her expression that is even more appealing than the photos. Making minor corrections to make the painting more technically correct may ruin the magic you have created.

Indeed, I second Richard's notion on the magic of this painting.
This is a beautiful girl, at the height of her youthful spring. The painting does not bring out the maximum potential of that youth. So to be more precise with Richard's comments, my gripe on the magic is with the eyebrows, and the treatment to the bosoms.

The former brings out a subtle 'evilness' in her...with that smile it has that smirk that sends a cold message. The bosom, at the same time, also brings about a suggestive message.The shade that is shown on the photograph does just that, and it's a good direction.

I believe toning it down both areas by softening the former, and by greying the bosom area - much like what you see in the photo - will stub that sexual innuendo, while at the same time serving avantage of bringing out the necklace as well as redirecting attention to her face.

With these points i can see a magnificent work of art true to the beautiful model.

[Flladi Kulla]

Originally Posted by Richard Monro

Filadi,

Just a word of caution. You have captured something magical in her expression that is even more appealing than the photos. Making minor corrections to make the painting more technically correct may ruin the magic you have created.

Sometimes the hardest thing for an artist to do is to know when to stop. STOP! ....

Friends,
I apologize for not getting back to the forum a little earlier , but with Christmas and everything else, little time is left for browsing the net...

I truly appreciate everyone's comments and time they took to write and offer help. I feel very humbled and privileged! Thank you Bonfim, Richard, Allan, Chris, and Marcus, as well as Alexandra, Carol, and Marvin,and please excuse my belated reply to your comments!

I realize this this painting before is completed will be over worked, so I will try to correct the obvious flaws that have bothered me before I received everyone's critiquing (which pointed at and emphasized exactly those flaws and more)

I won't be wasting anyone's time with words, now!
I will get back to work keeping, in mind the valuable information gathered here and will post the new image as soon as it is ready

Once again, THANK YOU ALL very much!

Happy Holidays!

Flladi